Madar: A Fusion of Jazz and World Music by Jan Garbarek and Anouar Brahem
Madar is an album by Norwegian saxophonist Jan Garbarek and Tunisian oud player Anouar Brahem, released in 1994 on the ECM label. The album also features Pakistani tabla master Ustad Shaukat Hussain, creating a unique blend of jazz and world music.
The album consists of nine tracks, ranging from traditional folk tunes to original compositions by Brahem and Garbarek. The title track, \"Madar\", is a collaboration between the two leaders, showcasing their interplay and improvisation skills. The album also includes a solo piece by Hussain, \"Jaw\", and a duet between Garbarek and Brahem, \"Qaws\".
Madar received positive reviews from critics, who praised the musicianship and the fusion of different musical cultures. The album was also a commercial success, reaching the top 10 of the Polish jazz charts. Madar is considered one of the best examples of Garbarek's eclectic style and Brahem's mastery of the oud.
If you are interested in listening to Madar, you can download the full album zip file from SoundCloud[^1^]. You can also watch some videos of the album tracks on YouTube[^3^] [^4^]. Madar is a musical journey that will take you to different places and times, with the help of three virtuosos.
Jan Garbarek was born in 1947 in Mysen, Norway, the only child of a former Polish prisoner of war and a Norwegian farmer's daughter. He grew up in Oslo, where he discovered jazz through listening to John Coltrane on the radio. He taught himself to play the saxophone and soon won a competition for amateur jazz players. He formed his own band and started to explore different styles of jazz, from bebop to free jazz. He was influenced by Don Cherry, who introduced him to world music traditions, and by Albert Ayler, who inspired him to use folk melodies in his improvisations.
Garbarek made his recording debut in 1967 with Til Vigdis, an album dedicated to his wife, whom he married when he was 21. He also collaborated with other Norwegian musicians, such as Terje Rypdal and Jon Christensen. In 1970, he signed with ECM Records, a German label that gave him artistic freedom and a distinctive sound. He recorded several albums for ECM, both as a leader and as a sideman for artists like Keith Jarrett, Ralph Towner, Eberhard Weber, and Egberto Gismonti. He developed a personal style that combined a sharp-edged tone, long sustained notes, and generous use of silence.
Garbarek also experimented with various musical genres and formats. He composed music for films, theater, and dance. He played with classical musicians, such as the Hilliard Ensemble and the Oslo Chamber Orchestra. He collaborated with world music artists, such as Anouar Brahem, Ustad Fateh Ali Khan, Zakir Hussain, and Trilok Gurtu. He explored the roots of Scandinavian folk music and the spiritual dimensions of sound. He became one of the most influential and popular saxophonists in Europe and beyond. 0efd9a6b88